We profile the great songwriting minds behind some of the greatest pop hits of the modern era. You might not know their names, but you know their work!
Get something loud that can take a beating. Beyond that, punk amps should be able to handle a sound somewhere between classic rock and metal. The amp will live and die by how it produces overdrive, but you’ll need a more rounded sound that doesn’t have as much high end as well. If you buy something with multiple smaller speakers, you’ll be able to keep your high end definition without cranking the EQ to compensate.
Lastly, for the television-savvy listener, the sort-of-famous theme music to the sort-of-famous ’90s sitcom, Doogie Howser, M.D. (written by Mike Post) can also serve as a handy reminder of the descending octave interval. Bop along with the synth at 0:00.
Grants for independent curators
Now that I’m a professional touring artist myself, I wanted to revisit quotes from my favorite all-time artists to see if they’re still relevant. They are.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun.
If you’re looking to praise the Dark Lords with your flashy licks and hell-raising riffs, you’re going to need the right stuff for the job! The most important variable when buying an amp for metal is how it delivers distortion. You should make sure to get an amp that can really push the limits of distorting your guitar without completely degrading the tone to bits. Because of how much you need to drive your guitar, a lot of amps simply aren’t able to deliver super high-quality sound.
In 2006, Congress lowered the tax rate for songwriters who sell a part of their catalogs. It did this by reclassifying income from the sale of a catalog as “capital gains” instead of “ordinary income.”
You can see why turntablists like scratching “ahhhh” and “fressssshhhh” so much — they’re structureless slabs of tuned white noise, so they’re more forgiving. Scratching a rap a cappella is another story. The words have meanings, and the pitches have a musical context. When a word falls in the wrong spot or with the wrong emphasis, it sounds much worse than a wrong note in a jazz solo, and an untrained listener is more likely to notice it.
Me too. Those “magical things” that come from our being open to and joyful about our mistakes — those are the moments that make music like Tredici Bacci’s feel like such a gift. Both intricate and broad, both ridiculous and honest, both precise and full of human breadth and skew, La Fine Del Futuro is a triumph of Hanes’ philosophy about taking the art of laughing (at himself, and with others) to be the very serious business that it is.
Will Marshall is a singer, composer, producer, pianist, synthesist, engineer and educator. Will has engineered for artists such as Oscar-nominated film composer Nicholas Britell, Grammy-nominated jazz musician Patrick Gleeson, R&B singer Vudajé, experimental composer Augur Duende, and electronic acts Ill Gates, Freq Nasty and the Fungineers. He is currently consulting mix engineer and producer for Sennie Records in San José. As an educator, Will taught at Pyramind in San Francisco from 2015-2018 and is a well-known authority in the creative applications of music technology. He has written and directed several in-depth educational video series, taught numerous workshops, and accepts occasional private students.
I’m not certain, but this might be the only time mosh-pit dancing and stage diving has occurred on SNL, and inevitably they ended up causing $20,000 in damages to the show’s set. In the middle of the song, a Fear fan grabbed the mic and yelled, “F**k New York!” causing their set to be cut short. While the footage has since been shared, it was initially banned by the NBC network from ever being shown again.
And don’t forget, there are still tons of great software options out there for audio repair and noise reduction in the mixing phase, like Isotope RX, if you need them.
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